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By general consensus, Herbert von Karajan's first (1963) Beethoven cycle for Deutsche Grammophon is the best of the four (!) that he recorded. The Berlin Philharmonic was in top form, and they had not yet made an artistic fetish out of the bland smoothness that typified the conductor's later recordings of this music (and just about everything else). Karajan's squeaky clean, emotionally cool Beethoven will always be something of an acquired taste, but this set makes the best possible case for it. --David Hurwitz Read More »*Why don’t we show the price?
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Product Review : Beethoven Symphonies 1-9 (1963 recordings)
| 7 of 7 people found the following review helpful:  Overall the best cycle of Beethoven, By David Lee "duffyl18" (Canada) - See all my reviews This review is from: Beethoven Symphonies 1-9 (1963 recordings) (Audio CD) In spite of the strange arguements against Herbert K's 6th, I find this to be one of the finest interpretations of the Pastoral about. Instead of the usual slow intro and gradual speeding up of the older fashioned models of this piece we have here a slick and unforced manner. Not for some, but really this is the genius of the interpretation. Richard Osborne for some reason really discounted Karajan in this movement. I think he was wrong...instead period instrument people tend to do this opening of the Pastoral at the same tempo with which Karajan pursued his arguement!As to the 5th it is really an epic reading...no strange ritardando or even any affectation. Szell is let down by a recording that sounds monochrome in comparison to this one. The artistry of Karajan is that he tends to be lean and lithe, and he avoids excessive shaping of phrases but always has excellent rythmic playing. Never stodgy anywhere. As to dynamics his Sforznados are always a joy and yet he allows the... Read more 4 of 4 people found the following review helpful:  Brilliant, at times.....but....., By This review is from: Beethoven Symphonies 1-9 (1963 recordings) (Audio CD) For me, one of the keys to realizing some measure of enjoyment from Karajan's Beethoven is to accept the fact he adheres to a certain kind of style that frequently projects drama, power and majesty, yet, at times, leaves something to be desired in terms of lightness of texture and emotional suppleness. This notwithstanding, there are moments when I feel his voice more closely resembles that of Beethoven than any conductor I have heard. I find this true especially in some of the more propulsive and imposing passages of mainly the odd numbered works. Sometimes, with other composers, I have been critical of this conductor's tendency toward muscular, smoothly molded contours, however, I feel this approach melds fairly well with a decent portion of the composer's persona. I'm certainly not alone when I state that while Karajan satisfies me in some areas of Beethoven, Walter, Cluytens and Bohm, for example, fulfill me in other areas, and, indeed, in some of the same areas as well... Read more 4 of 4 people found the following review helpful: about that 6th..., This review is from: Beethoven Symphonies 1-9 (1963 recordings) (Audio CD) this is a review of the much-maligned pastoral symphony is this set. most find fault with its fleet tempos but after listening to the much lauded bohm and walter, i find this is the only pastoral that doesn't put me to sleep, especially in the first movement. where with bohm you feel like it's a funeral march through the countryside, with karajan it actually feels like a joyous outing, full of sunshine, blue skies, and fresh air. it captures the sense of coming alive upon entering nature that the other recordings miss. my only gripe with this recording is that it has the karajan trademark string-laden sound. for the pastoral, i'd prefer a better balance with the winds. other than that, this is an excellent 6th. oh, the the rest of the cycle is pretty good, too! |
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Product Title : Beethoven Symphonies 1-9 (1963 recordings)
Product Title : Beethoven Symphonies 1-9 (1963 recordings)
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